“A moment of sheer rock’n’roll poetry…“

Interview with Paul Kelly, director of Kurt’s Lighter, and Scott King, the man who caught the lighter.

Paul, why did you want to create this documentary?

Paul Kelly: I’ve been involved with music all my life, both by being in bands (East Village, Saint Etienne etc) then later by making promos and more recently feature films, all about music. I didn’t really know Scott – but we have some mutual friends – so I knew that he owned the Kurt Lighter and I knew the story of how he acquired it; so when I was approached to make a film about this incredible story, I leapt at the chance.

Paul, what do you think about how the extraordinary event of catching »Kurt’s Lighter« shaped Scott King‘s entire adult life? And has making this film changed your life in anyway?

Paul Kelly: I think it’s amazing. A moment of sheer rock’n’roll poetry, if that’s not too much of a pretentious thing to say? I’ve attended – and played – many gigs but I’ve never seen or heard of anything like this. Of course, you meet people who might have caught, I don’t know, a drum stick that’s been tossed into the audience by the drummer from Placebo or Green Day or someone – but to actually have Kurt Cobain throw his lighter straight at you and to catch it so effortlessly – THEN – for that moment to actually have an effect on your whole personality, is really quite extraordinary. Making this film has not re-shaped my life in anyway, no.

Kurt's-Lighter-01

Scott, can you tell us a bit more about your ‘semi-spiritual experience’ on November 11, 1989? What was it like?

Scott King: When it actually happened – when the lighter landed in the palm of my hand after Kurt had tossed it into the crowd – it seemed like the most natural thing in the world. I’ve thought about this a lot over the years, and I think the reason it seemed so natural was because this had happened to me once before. When I was 9 years old – Christmas 1979 – my parents took me to the Theatre Royal in York to see Dick Whittington – a pantomime. I was sitting high up on the balcony and the young woman playing Dick began to toss bags of sweets out to all the kids in the audience. All the kids were going crazy, running around, fighting over these bags of sweets that Dick was throwing towards us. Similarly to the Kurt situation, I did not move, I remained seated, but a bag of Rowntrees Tooty Frooties landed right in my lap. The other kids had no chance of grabbing them, these sweets had been thrown straight at me, almost as if Dick Whittington had picked me out of the audience and decided that I was a deserved recipient of a bag of Rowntrees Tooty Frooties. Strangely, I realised later, that the Kurt Cobain incident happened almost 10 years to the month after the Dick Whittington incident.

Scott, from your point of view: how was Berlin like in 1989 and what were the biggest changes in terms of pop culture until today?

Scott King: I only have very hazy memories of Berlin in 1989. I really can’t remember much about it. I remember the Nirvana gig as if it were yesterday, but the rest is something of a blur. Though, I do remember that the Berlin Wall came down while I was there. Pop culture has changed dramatically since 1989. It’s much more corporate now.


Mogwai prelude and Neukölln venues unveiled

Poster Mogwai play Atomic


To all Lovers, dear Community: We lied to You, in a way. But we don’t think we have to apologize for it now. Quite the contrary! So, Pop-Kultur doesn’t last for three nights this year, it’s actually four.

On August 30th, already one day ahead of our 2016 edition – taking place from August 31st to September 2nd – we organize a special event in Berlin’s Admiralspalast, outside of our regular program: On August 30th no other than the Scottish instrumental rock band Mogwai introduces their new album Atomic as a unique film concert for the first time live in Germany. The album is the soundtrack for an impressive, eponymous BBC-documentary about nuclear energy and its dangers, that brought the band and the film team to Hiroshima among other places. Advance sale (30,00 € plus advance booking fees via AD Ticket) was just opened on our website.

New-Pop-Kultur-Ankuendigung-Orte

Afterwards, we move to Neukölln. Pop-Kultur and the seven… well, eight Venues – that’s the title of this years little fairy tale. If you followed us in the social media (If not, you should change that immediately through the links at the end of this email!), You could spot red velvet, glittering décor and mysterious dance floors in the last couple of days. Some of you might have recognized their favorite club, for everyone else we’ll lift the veil now:

The venues in dynamic Neukölln are the SchwuZ, the Heimathafen Neukölln, Huxleys Neue Welt, the Passage Kino, the Prachtwerk, and the Keller. Additionally, the Vollgutlager serves as meeting place for the professional, international music and culture scene and the Neukölln Opera will be hosting the workshop and educational program »Pop-Kultur Nachwuchs«.

Thus, »Pop-Kultur« is less tied to Grimm’s fictions, then to Berlin’s rich history. The legendary queer event center SchwuZ, now residing in the Rollbergstraße, will be this year’s festival main base. This is, where once the Kindl-Brewery was erected in 1872 when most of Neukölln was still grassland. Nowadays, the bass pumps through the former head office of the brewery. Already in 1867, a beer garden opened at the Hasenheide. After the century turned, it was updated with a large hall – today housing Huxleys Neue Welt. The building survived the moved modern times of Berlin and was later stage to concerts of Jimi Hendrix, Udo Lindenberg or Patti Smith – and now the acts of »Pop-Kultur«.

All further information on the program and the advance ticket sale will soon follow. Remain in our favor and lend us a heart (or two) on Instagram, Facebook or Twitter.

We will remain truthful from now on. We promise!

Pop-Kultur


Pop-Kultur 2016, We Have a Date!

Pop-Kultur 2016

»Oh look who’s back!« Pop-Kultur returns and keeps on moving through our dear city that is Berlin. 2016 the festival will take place in Neukölln! Following last year’s three successful days and nights with more than 60 acts and 10,600 guests at Berghain we will be going strong again. Get out your smart phone or pocket calendar (Nice one!) and block the days from August 31 to September 2.

Between hummus diners and corner bars, opera and arthouse cinema, industrial history and coworking spaces Pop-Kultur will occupy six different venues for a programme of various live premieres of new music, readings, talks, DJ sets, film screenings, and innovative performances. Just as an reminder, 2015 saw Sophie Hunger, Neneh Cherry with RocketNumberNine, Ho99o9, Pantha Du Prince feat. The Triad, Herbert, Die Nerven, Hinds, Messer, Isolation Berlin among others presenting partly never-before heard music at our festival’s first edition. First names plus details on venues and pre-sale are to follow.

Also »Pop-Kultur Nachwuchs« will be part of the festival again. And this time even more talents in music, cultural industry, and media will be able to participate in an extended number of workshops, lectures, and case studies by prominent experts.

We are beyond excited for this! Stay tuned!

Pop-Kultur